AJACCIO, 2023, 40" X 30" X 1.5", ACRYLIC ON CANVAS
CONVERGENCE, 2023, 40" X 30" X 1.5", ACRYLIC ON CANVAS
Ventanas (45 Colores) - Windows (45 Colors), 2022, 40" x 30" x 1.5", ACRYLIC ON CANVAS
CHEURON (CHEVRON), 2022, 40" x 30" x 1.5", ACRYLIC ON CANVAS
CONCRETE COMPOSITION 25, 2022, 40" X 30" X 1.5", ACRYLIC ON CANVAS
PHOTO PAINTING COMBINE II, 2022, 12" X 16" X 2", ABSTRACT PHOTO AND ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
PHOTO PAINTING COMBINE I, 2022, 12" X 16" X 2", ABSTRACT PHOTO AND ACRYLIC PAINT ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
HOUSE OF CARDS, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS
CONCRETE COMPOSITION 24, 2021, 20" H x 16" W, ACRYLIC ON CANVAS BOARD
BROOKLYN STRUT, 2021, 40" X 30" X 1.5, ACRYLIC ON CANVAS, IN THE COLLECTION OF JOSEPH & PATTI LAWLER, WESLEY CHAPEL, FL
DECONSTRUCTING PIET III, 2021, 12" X 16" X 2", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE, IN THE COLLECTION OF LEE SIDER, BROOKLYN, NY
DECONSTRUCTING PIET II, 2021, 12" X 16" X 2", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE, IN THE COLLECTION OF LEE SIDER, BROOKLYN, NY
DECONSTRUCTING PIET I, 2021, 12" X 16" X 2", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
CONCRETE COMPOSITION 23, 2021, 30" X 40' X 1.5", ACRYLIC ON CANVAS
FEELING GOOD (FOR NINA SIMONE), 2021, 30" x 40" X 1.5", ACRYLIC ON CANVAS
FUNKY NASSAU (DIPTYCH), 2021, 60' x 40, ACRYLIC ON CANVAS
RITMO NUMERO DOS, 2021, 16" x 12", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
CONCRETE COMPOSITION 22 (FOR DAVID NOVROS), 2021, 14" X 11", ACRYLIC ON PAPER, IN THE COLLECTION OF FRANSECA KNOETGEN, RYE, NY
Yuxtaposición__Juxtaposition, 2021. 30" x 40" x 1.5", Acrylic ON CANVAS
CUATRO (FOUR), 2021, 36" X 48" X 1.5", ACRYLIC ON CANVAS
SUPREME II, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS, IN THE COLLECTION OF MAY LAZARDI, TAMARAC, FLORIDA
CONCRETE COMPOSITION 20, 2021, 16" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL
ROJO Y NEGRO (RED AND BLACK), 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS
CONVERSATION III, 2021, 30" X 40' X 1.5", ACRYLIC ON CANVAS
SUPREME, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS
NATIVE NEW YORKER, 2021, 30" X 40" X 1.5", ACRYLIC ON CANVAS
CONCRETE COMPOSITION 19, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS, IN THE COLLECTION OF KRISTIAN VINGGAARD, VEDBAEK, DENMARK
CONVERSATION II, 2020, 30" X 40" X 1.5", ACRYLIC ON CANVAS, IN THE COLLECTION OF ARTHUR BRYANT, SUTTON COLDFIELD, UK
NATURE, 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANEL , IN THE COLLECTION OF KARI WHITMAN, LONG BEACH, CA
GOTTLIEB, 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANEL
ZIG ZAG, 2020, COLLAGE, 28" X 20", HAND CUT PAPER ON PAPER
PLAN, 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANEL
FEELING GROOVY, 2020, COLLAGE, 28" X 20", HAND CUT PAPER ON PAPER
SECRET LANGUAGE, 2020, COLLAGE, 28" X 20", HAND CUT PAPER ON PAPER AND MARKER
ROMPECABEZA (PUZZLE) 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANEL, IN THE COLLECTION OF MARY JO CAMPBELL, INDIANAPOLIS, INDIANA
THE MAGNIFICENT DANCE, 2020, 12" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL
MIDNIGHT IN THE OASIS, 2020, 12" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL, IN THE COLLECTION OF PETER STUDER, WINTERTHUR, SWITZERLAND
RITMO NUMERO UNO, 2020, 12" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL
FLAMENCO (DIPTYCH), 2020, DIMENSIONS VARIABLE, ACRYLIC ON TWO 12' X 16' X 2" CRADLED WOOD PANELS
A NEW BEGINNING COMING THROUGH, 2020, 24" X 24" X 1.5", ACRYLIC ON CANVAS
TANGERINE, 2020, 24" X 36" X 1.5", ACRYLIC ON CANVAS
OBJECT FOR YVES KLEIN, 2020, 12 1/2" X 10 1/2" X 2", ACRYLIC PAINT, GESSO, MATTE MEDIUM ON CONSTRUCTED HEAVY WEIGHT PAPER BOX IN ANTIQUE GOLD FRAME
CONCRETE COMPOSITION 15, 2020, 13" X 11" X 1", FRAMED, ACRYLIC PAINT, GESSO, MATTE MEDIUM ON HEAVY WEIGHT PAPER
CONCRETE COMPOSITION 14, 2020, 12" X 10" X 3/4, FRAMED, ACRYLIC PAINT, GESSO, MATTE MEDIUM ON HEAVY WEIGHT PAPER
MATRIX, 2019, 24" x 30" x 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM ON CANVAS
POST MODERN PHARMA, 2019, 18" X 12", ACRYLIC PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH ON CANSON 140LB WATERCOLOR PAPER, IN THE COLLECTION OF HEATHER JOHNSON, ARLINGTON, VA
TRIANGULATION III, 2019, 36" x 24" x 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM AND BLACK MARKER ON CANVAS
TRIANGULATION II, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH on Cradled Wood Panel
Triangulation, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Cradled Wood Panel
Who"s Afraid of Red, Yellow and Blue II (for Barnett Newman) 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on cradled wood panel
Modulation One, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
Modulation Two, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
Salsa Steps, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
Mambo Maueuvers, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
MAGENTA DREAMS, 2019, 36" X 48" X 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH ON CANVAS, IN THE COLLECTION OF HEIKE DOBLER, ZINNOWITZ, GERMANY
EPOCHAL EVENT, 2019, 30" X 40" X 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH ON CANVAS
Concrete Composition 13, 2019, 20" x 24" x 1.5", Acrylic paint, GESSO, MATTE MEDIUM, SATIN VARNISH on canvas, In the collection of Danny Smith and Denise Frasier, Douglasville, GA
SUPREME FOR MALEVICH, 2019, 20" X 16" X 1.5", ACRYLIC ON CANVAS
Concrete Composition 12, 2019, 28" x 22", Acrylic paint on primed paper
Concrete Composition 11, 2019, 22" x 28", Acrylic paint on primed paper
Abstract Landscape Two, 2018, 22" x 28", Acrylic on Paper
Abstract Landscape One, 2018, 24" x 22", Acrylic on pRIMED Paper, In The Collection of Sarah Perkinson, San Anselmo, CA
Composicion Suprematista Dos, 2018 (Suprematist Composition Two, 2018) 24" x 30", Acrylic PAINT, GESSO, MATTE MEDIUM on canvas. In the collection of Joseph and Patty Lawler, Wesley Chapel, FL
STRANGE SCIENCE, 2018, 36 X 48 INCHES, ACRYLIC PAINT, MATTE MEDIUM AND INK ON CANVAS, $3000
Bridge and Tunnel, 2018, 24 x 12 inches, Acrylic on paper, $400
Ocean Crossing, 2018, 12 x 12 inches, Acrylic on paper, In the collection of Eileen Jacobsen, Long Island, NY
Tectonic Abstraction, 2018, 12 x 12 inches, Acrylic on paper, $300
History of Modern Painting (Crown for Basquiat) 2018, 12 x 36 x 1.5 inches, Acrylic on Canvas, $900
SIGNALS NUMBER FOUR, 2018, 30 X 24 X 1.5 INCHES, ACRYLIC ON CANVAS, $1000
TERMINUS (DIPTYCH), 2018, 12 X 24 X 1.5 INCHES, ACRYLIC ON CANVAS, $700
CONCRETE COMPOSITION 10, 2018, 20 X 20 X 1.5 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF VINCENT DEN HOLLANDER, THE NETHERLANDS
CONCRETE COMPOSITION 9, 2017, 20 X 20 X 1.5 INCHES, ACRYLIC ON CANVAS, PRIVATE COLLECTION, ROSEVILLE, MINNESOTA,
CONCRETE COMPOSITION 8, 2017-2018, 12 X 12 X 1.5, ACRYLIC ON CANVAS, IN THE COLLECTION OF KEVIN PATTERSON, SAN PEDRO, CA
CONCRETE COMPOSITION 7, 2017-2018, 12 X 12 X 1.5 INCHES, ACRYLIC ON CANVAS, $400
PRIMARY FORMS, 2017, 28 X 22 X 0.4 INCHES, ACRYLIC ON PAPER, $400
BLACK MOUNTAIN, 2017, 28 X 22 X 0.4 INCHES, ACRYLIC ON PAPER, IN COLLECTION OF JOSETTE VAN STIPHOUT, PHOENIX, AZ
JUNGLE BOOGIE, 2017, 28 X 22 X 0.4 INCHES, ACRYLIC ON PAPER, $400
RELEASE/CONCRETE COMPOSITION 6, 2017, 48 X 36 1.5, ACRYLIC ON CANVAS , IN THE COLLECTION OF COURTNEY MILLER, JUPITER, FL
CONCRETE COMPOSITION 5, 2017, 40 X 30 X 1.5, ACRYLIC ON CANVAS, $2000
PORTAL/CONCRETE COMPOSITION 4, 2017, 30 X 40 X 1.5 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF DAVID SKIDMORE, CHICAGO, IL
CONCRETE COMPOSITION 3, 2017, 24 X 30 X 1.5, ACRYLIC ON CANVAS, IN THE COLLECTION OF EILEEN JACOBSEN, LONG ISLAND, NY
CONCRETE COMPOSITION 2, 2017, 24"H X 30"W X 1.5" , ACRYLIC PAINT, GESSO, MATTE MEDIUM ON GALLERY WRAP CANVAS, $900, IN THE COLLECTION OF DREW ARONICA, CHARLOTTE, NC
RECONFIGURED STRIPES (DIPTYCH), 2017, 11 X 28 X 1.5, ACRYLIC ON CANVAS, $600, IN THE COLLECTION OF KEVIN SMITH, ALEXANDRIA, VA
SIGNALS NUMBER THREE, 2017, 24 X 30 X 1.5, ACRYLIC ON CANVAS, $1000
SMACK DAB IN THE MIDDLE, 2016, 19 1/2 X 25 1/2 X 1 1/4 INCHES (FRAMED), ACRYLIC ON CANVAS , $700
PLASTIC DREAMS, 2016, 12 X 12 X 1.5, ACRYLIC ON CANVAS, $400
WALKING INTO SUNSHINE, 2016, 12 X 12 X 1.5, ACRYLIC ON CANVAS, $400
SUPREMEMATIST COMPOSITION (HOMAGE TO MALEVICH), 2016, 28 X 22 X 0.4 INCHES, COLLAGE ON PAPER, IN THE COLLECTION OF LISA ROSE, BERKELEY, CA
FOLDING COLORS, 2016, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF ROB TAULER, LOS ANGELES, CA
KALEIDOSCOPE (PRISM), 2016, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS , $800
THE EMBRACE, 2016, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF MATT HAWKSWORTH, NY, NY
COMPOSITION IN BLACK, WHITE AND RED, 2016, 28 X 22 X 0.4 INCHES, COLLAGE ON PAPER, IN THE COLLECTION OF NOEL JOHNSTON, RIVERSIDE, CA
SIGNALS NUMBER TWO, 2015, 24 X 30 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF DONALD SOLOW, PITTSBURGH, PA
SIGNALS NUMBER ONE, 2015, DIPTYCH, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF JENNIFER ANDREWS, ENGLEWOOD, CO
THE CROSSES, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, $200
BUBBLE GUM, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF SEAN CHRISTOPHER WARD, WICHITA, KS
THE CONVERSATION, 2015, 20 X 16 X 0.8 INCHES, ACRYLIC ON CANVAS, $300
WHO'S AFRAID OF RED, YELLOW AND BLUE, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, $200, IN THE COLLECTION OF LEE SIDER, FT LAUDERDALE, FL
STRIPES NUMBER ONE, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF SEAN CHRISTOPHER WARD, WICHITA, KS
MOVEMENT IN WHITE AND BLACK, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, $200
ABSTRACT SYMPHONY. 2015, 28 X 22 X 0.4 INCHES, ACRYLIC AND COLLAGE ON PAPER, IN THE COLLECTION OF RACHEL DALTON, DUBLIN, IRELAND
AJACCIO, 2023, 40" X 30" X 1.5", ACRYLIC ON CANVAS
CONVERGENCE, 2023, 40" X 30" X 1.5", ACRYLIC ON CANVAS
Ventanas (45 Colores) - Windows (45 Colors), 2022, 40" x 30" x 1.5", ACRYLIC ON CANVASI am influenced by architecture, patterns, graphic design, color theory and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new dialogue inherent to abstraction that started in the early 1900s and continues to be relevant to this day. I hope that when a viewer sees my work they will get a feeling of simplicity, harmony, order, and rhythm.
CHEURON (CHEVRON), 2022, 40" x 30" x 1.5", ACRYLIC ON CANVASI am influenced by architecture, patterns, graphic design, color theory and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new dialogue inherent to abstraction that started in the early 1900s and continues to be relevant to this day. I hope that when a viewer sees my work they will get a feeling of simplicity, harmony, order, and rhythm.
CONCRETE COMPOSITION 25, 2022, 40" X 30" X 1.5", ACRYLIC ON CANVAS
PHOTO PAINTING COMBINE II, 2022, 12" X 16" X 2", ABSTRACT PHOTO AND ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
PHOTO PAINTING COMBINE I, 2022, 12" X 16" X 2", ABSTRACT PHOTO AND ACRYLIC PAINT ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
HOUSE OF CARDS, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS
CONCRETE COMPOSITION 24, 2021, 20" H x 16" W, ACRYLIC ON CANVAS BOARD
BROOKLYN STRUT, 2021, 40" X 30" X 1.5, ACRYLIC ON CANVAS, IN THE COLLECTION OF JOSEPH & PATTI LAWLER, WESLEY CHAPEL, FL
DECONSTRUCTING PIET III, 2021, 12" X 16" X 2", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE, IN THE COLLECTION OF LEE SIDER, BROOKLYN, NY
DECONSTRUCTING PIET II, 2021, 12" X 16" X 2", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE, IN THE COLLECTION OF LEE SIDER, BROOKLYN, NY
DECONSTRUCTING PIET I, 2021, 12" X 16" X 2", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
CONCRETE COMPOSITION 23, 2021, 30" X 40' X 1.5", ACRYLIC ON CANVAS
FEELING GOOD (FOR NINA SIMONE), 2021, 30" x 40" X 1.5", ACRYLIC ON CANVAS
FUNKY NASSAU (DIPTYCH), 2021, 60' x 40, ACRYLIC ON CANVAS
RITMO NUMERO DOS, 2021, 16" x 12", ACRYLIC ON WOOD PANEL CRADLED IN NEW ZEALAND PINE
CONCRETE COMPOSITION 22 (FOR DAVID NOVROS), 2021, 14" X 11", ACRYLIC ON PAPER, IN THE COLLECTION OF FRANSECA KNOETGEN, RYE, NY
Yuxtaposición__Juxtaposition, 2021. 30" x 40" x 1.5", Acrylic ON CANVAS
CUATRO (FOUR), 2021, 36" X 48" X 1.5", ACRYLIC ON CANVAS
SUPREME II, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS, IN THE COLLECTION OF MAY LAZARDI, TAMARAC, FLORIDA
CONCRETE COMPOSITION 20, 2021, 16" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL
ROJO Y NEGRO (RED AND BLACK), 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS
CONVERSATION III, 2021, 30" X 40' X 1.5", ACRYLIC ON CANVAS
SUPREME, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVASMy painting Supreme, 2021 is built upon the covenants of Kazimir Malevich's Suprematist art movement which he invented in 1917. His art focused on basic geometric forms, such as circles, squares, lines, and rectangles. The term Suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects. My painting goes beyond Malevich's rules to include more biomorphic shapes fused upon each other to create a more centralized figure. This painting also explores the use of colors which would never be used by the proponents of the original movement. Again my goal is to create a fusion using components of previous art movements attempting to fashion new interpretations and hybrids.
NATIVE NEW YORKER, 2021, 30" X 40" X 1.5", ACRYLIC ON CANVAS
CONCRETE COMPOSITION 19, 2021, 40" X 30" X 1.5", ACRYLIC ON CANVAS, IN THE COLLECTION OF KRISTIAN VINGGAARD, VEDBAEK, DENMARK
CONVERSATION II, 2020, 30" X 40" X 1.5", ACRYLIC ON CANVAS, IN THE COLLECTION OF ARTHUR BRYANT, SUTTON COLDFIELD, UK
NATURE, 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANEL , IN THE COLLECTION OF KARI WHITMAN, LONG BEACH, CAPLAN, GOTTLIEB and NATURE were worked on simultaneously and completed in November. 2020. They are influenced by ordinary images collected by the brain in the normal course of routine observations. In these paintings I intuitively abstracted form to the minimal essence, shape, contour of a distant memory. These forms inhabit a space between memory and reality. This work was painted on a wood panel, cradled by 2 inch New Zealand Pine. Signed, dated, and titled on the back. Ready to hang.
GOTTLIEB, 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANELPLAN, GOTTLIEB and NATURE were worked on simultaneously and completed in November. 2020. They are influenced by ordinary images collected by the brain in the normal course of routine observations. In these paintings I intuitively abstracted form to the minimal essence, shape, contour of a distant memory. These forms inhabit a space between memory and reality. This work was painted on a wood panel, cradled by 2 inch New Zealand Pine. Signed, dated, and titled on the back. Ready to hang.
ZIG ZAG, 2020, COLLAGE, 28" X 20", HAND CUT PAPER ON PAPERThis collage is an example of my interest of Geometric Hard Edge Abstraction using paper instead of paint. Secret Language, Feeling Groovy and Zig Zag were completed over the course of three days, November 23rd to the 25th, 2020. They conform to flat areas of color, composition of geometric abstraction, intense color and economy of form. They are heavily influence by the work of Karl Benjamin, Frederick Hammersley and Lorser Feitelson. Signed, dated and titled on the back.
PLAN, 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANELPLAN, GOTTLIEB and NATURE were worked on simultaneously and completed in November. 2020. They are influenced by ordinary images collected by the brain in the normal course of routine observations. In these paintings I intuitively abstracted form to the minimal essence, shape, contour of a distant memory. These forms inhabit a space between memory and reality. This work was painted on a wood panel, cradled by 2 inch New Zealand Pine. Signed, dated, and titled on the back. Ready to hang.
FEELING GROOVY, 2020, COLLAGE, 28" X 20", HAND CUT PAPER ON PAPERThis collage is an example of my interest of Geometric Hard Edge Abstraction using paper instead of paint. Secret Language, Feeling Groovy and Zig Zag were completed over the course of three days, November 23rd to the 25th, 2020. They conform to flat areas of color, composition of geometric abstraction, intense color and economy of form. They are heavily influence by the work of Karl Benjamin, Frederick Hammersley and Lorser Feitelson. Signed, dated and titled on the back.
SECRET LANGUAGE, 2020, COLLAGE, 28" X 20", HAND CUT PAPER ON PAPER AND MARKERThis collage is an example of my interest of Geometric Hard Edge Abstraction using paper instead of paint. Secret Language, Feeling Groovy and Zig Zag were completed over the course of three days, November 23rd to the 25th, 2020. They conform to flat areas of color, composition of geometric abstraction, intense color and economy of form. They are heavily influence by the work of Karl Benjamin, Frederick Hammersley and Lorser Feitelson. Signed, dated and titled on the back.
ROMPECABEZA (PUZZLE) 2020, 16" X 12" X 2", ACRYLIC ON CRADLED WOOD PANEL, IN THE COLLECTION OF MARY JO CAMPBELL, INDIANAPOLIS, INDIANA
THE MAGNIFICENT DANCE, 2020, 12" X 16" X 2", ACRYLIC ON CRADLED WOOD PANELI relate to painting as if it were a dance, trying to understand new steps between color and geometry. There are never any hints of gestures or marks. The paintings are distilled, austere, elegant, and jewel-like. The work is firmly planted in the Minimalist, Reductive, Geometric, and Hard Edge Schools of painting. This work was painted on a smooth gesso wood panel and cradled with New Zealand pine with a depth of 2 inches. Finished with two coats of satin varnish. Ready to hang. Signed, titled, and dated on the back.
MIDNIGHT IN THE OASIS, 2020, 12" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL, IN THE COLLECTION OF PETER STUDER, WINTERTHUR, SWITZERLANDI relate to painting as if it were a dance, trying to understand new steps between color and geometry. There are never any hints of gestures or marks. The paintings are distilled, austere, elegant, and jewel-like. The work is firmly planted in the Minimalist, Reductive, Geometric, and Hard Edge Schools of painting. This work was painted on a smooth gesso wood panel and cradled with New Zealand pine with a depth of 2 inches. Finished with two coats of satin varnish. Ready to hang. Signed, titled, and dated on the back.
RITMO NUMERO UNO, 2020, 12" X 16" X 2", ACRYLIC ON CRADLED WOOD PANEL
FLAMENCO (DIPTYCH), 2020, DIMENSIONS VARIABLE, ACRYLIC ON TWO 12' X 16' X 2" CRADLED WOOD PANELS
A NEW BEGINNING COMING THROUGH, 2020, 24" X 24" X 1.5", ACRYLIC ON CANVAS
TANGERINE, 2020, 24" X 36" X 1.5", ACRYLIC ON CANVAS
OBJECT FOR YVES KLEIN, 2020, 12 1/2" X 10 1/2" X 2", ACRYLIC PAINT, GESSO, MATTE MEDIUM ON CONSTRUCTED HEAVY WEIGHT PAPER BOX IN ANTIQUE GOLD FRAME One-off conceptual piece giving homage to Yves Klein Blue. The box is constructed of double-sided primed 140 lb Canson Watercolor Paper painted in blue with a gold zip down the middle, framed by a gold antique frame. Dimensions of the constructed box are 9 1/2" x 7 1/2" x 1 1/2". Signed, dated and titled on the back.
CONCRETE COMPOSITION 15, 2020, 13" X 11" X 1", FRAMED, ACRYLIC PAINT, GESSO, MATTE MEDIUM ON HEAVY WEIGHT PAPERThis work is another small painting in my Concrete Painting Series. Geometric, hard-edge, grid-based composition with my usual zips of contrasting colors. Painted on 140 lb Canson Watercolor Paper. The actual size of the painting is 10" x 8". Dated, signed and titled on the back. Framed, ready to hang.
CONCRETE COMPOSITION 14, 2020, 12" X 10" X 3/4, FRAMED, ACRYLIC PAINT, GESSO, MATTE MEDIUM ON HEAVY WEIGHT PAPERThis work is another small painting in my Concrete Painting Series. Geometric, hard-edge, grid-based composition with my usual zips of contrasting colors. Painted on 140 lb Canson Watercolor Paper. The actual size of the painting is 12" x 7 3/4". Dated, signed and titled on the back. Framed, ready to hang.
MATRIX, 2019, 24" x 30" x 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM ON CANVAS
POST MODERN PHARMA, 2019, 18" X 12", ACRYLIC PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH ON CANSON 140LB WATERCOLOR PAPER, IN THE COLLECTION OF HEATHER JOHNSON, ARLINGTON, VA
TRIANGULATION III, 2019, 36" x 24" x 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM AND BLACK MARKER ON CANVAS
TRIANGULATION II, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH on Cradled Wood Panel
Triangulation, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Cradled Wood PanelMy paintings are fueled by my love of abstraction. The practice of making them involves experimenting with many schools of art and diverse art movements from the early 1900s to the present. My work has been described as minimal, concrete, reductive, geometric, hard-edged and non-objective.For the most part, I do not adhere to a "recognizable style" and instead depend on my intuition and shift back and forth within different parameters. Sometimes I work in pairs but have also worked in series as in my Concrete Paintings. I favor flat blocks of color, straight lines, hard edges, the grid, patterns, color juxtaposition, geometry, and patterns. The work is distilled and austere.I work with a mixture of acrylic paint, matte medium, and gesso on canvas, paper or wood, giving my work a matte flat finish similar to gouache paint and creates the great depth of color that I prefer. I finish the work with a coat of matte varnish.I am also influenced by architecture, patterns, graphic design and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new dialogue inherent to abstraction that started in the early 1900s and continues to be relevant to this day. I hope that when a viewer sees my work they will get a feeling of simplicity, harmony, order, and rhythm.My work is in many private collections in the U.S. from coast to coast and Europe.The painting is signed, titled and dated on the back.
Who"s Afraid of Red, Yellow and Blue II (for Barnett Newman) 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on cradled wood panel
Modulation One, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
Modulation Two, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
Salsa Steps, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
Mambo Maueuvers, 2019, 12" x 12" x 1.5", Acrylic PAINT, GESSO, MATTE MEDIUM on Canvas
MAGENTA DREAMS, 2019, 36" X 48" X 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH ON CANVAS, IN THE COLLECTION OF HEIKE DOBLER, ZINNOWITZ, GERMANY
EPOCHAL EVENT, 2019, 30" X 40" X 1.5", ACRYLIC PAINT, GESSO, MATTE MEDIUM, SATIN VARNISH ON CANVAS
Concrete Composition 13, 2019, 20" x 24" x 1.5", Acrylic paint, GESSO, MATTE MEDIUM, SATIN VARNISH on canvas, In the collection of Danny Smith and Denise Frasier, Douglasville, GA
SUPREME FOR MALEVICH, 2019, 20" X 16" X 1.5", ACRYLIC ON CANVAS
Concrete Composition 12, 2019, 28" x 22", Acrylic paint on primed paper
Concrete Composition 11, 2019, 22" x 28", Acrylic paint on primed paper
Abstract Landscape Two, 2018, 22" x 28", Acrylic on Paper
Abstract Landscape One, 2018, 24" x 22", Acrylic on pRIMED Paper, In The Collection of Sarah Perkinson, San Anselmo, CA
Composicion Suprematista Dos, 2018 (Suprematist Composition Two, 2018) 24" x 30", Acrylic PAINT, GESSO, MATTE MEDIUM on canvas. In the collection of Joseph and Patty Lawler, Wesley Chapel, FL
STRANGE SCIENCE, 2018, 36 X 48 INCHES, ACRYLIC PAINT, MATTE MEDIUM AND INK ON CANVAS, $3000The starting off point of this work began with another painting, Terminus. As I studied that painting the notion of oddly geometric buildings and of negative and positive space became the jumping off point. Using a T square and 30/60 and 45/90 degree architect triangles, I started mapping out in pencil rectangular shaped "buildings" affixed to one another. I then erased certain lines, leaving a mere hintof the geometry and using masking tape to delineate the outlines filling in the voids in green and orange acrylic paint. What remained was a very minimalist illusion of space and of the unseen geometry.After looking at this for awhile I felt that the space needed to be "activated" and started thinking along the lines of other unseen modes of our industrial landscape.Tunnels, highways, roads, silos, maps, circuit boards all came to mind and as usual my instincts took over and the marks manifested themselves in an automatic manner. The resulting image seemed both strange and scientific and perhaps futurist. Hence the titled.
Bridge and Tunnel, 2018, 24 x 12 inches, Acrylic on paper, $400
Ocean Crossing, 2018, 12 x 12 inches, Acrylic on paper, In the collection of Eileen Jacobsen, Long Island, NY
Tectonic Abstraction, 2018, 12 x 12 inches, Acrylic on paper, $300
History of Modern Painting (Crown for Basquiat) 2018, 12 x 36 x 1.5 inches, Acrylic on Canvas, $900
SIGNALS NUMBER FOUR, 2018, 30 X 24 X 1.5 INCHES, ACRYLIC ON CANVAS, $1000
TERMINUS (DIPTYCH), 2018, 12 X 24 X 1.5 INCHES, ACRYLIC ON CANVAS, $700
CONCRETE COMPOSITION 10, 2018, 20 X 20 X 1.5 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF VINCENT DEN HOLLANDER, THE NETHERLANDS
CONCRETE COMPOSITION 9, 2017, 20 X 20 X 1.5 INCHES, ACRYLIC ON CANVAS, PRIVATE COLLECTION, ROSEVILLE, MINNESOTA,
CONCRETE COMPOSITION 8, 2017-2018, 12 X 12 X 1.5, ACRYLIC ON CANVAS, IN THE COLLECTION OF KEVIN PATTERSON, SAN PEDRO, CA
CONCRETE COMPOSITION 7, 2017-2018, 12 X 12 X 1.5 INCHES, ACRYLIC ON CANVAS, $400
PRIMARY FORMS, 2017, 28 X 22 X 0.4 INCHES, ACRYLIC ON PAPER, $400
BLACK MOUNTAIN, 2017, 28 X 22 X 0.4 INCHES, ACRYLIC ON PAPER, IN COLLECTION OF JOSETTE VAN STIPHOUT, PHOENIX, AZ
JUNGLE BOOGIE, 2017, 28 X 22 X 0.4 INCHES, ACRYLIC ON PAPER, $400
RELEASE/CONCRETE COMPOSITION 6, 2017, 48 X 36 1.5, ACRYLIC ON CANVAS , IN THE COLLECTION OF COURTNEY MILLER, JUPITER, FL
CONCRETE COMPOSITION 5, 2017, 40 X 30 X 1.5, ACRYLIC ON CANVAS, $2000
PORTAL/CONCRETE COMPOSITION 4, 2017, 30 X 40 X 1.5 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF DAVID SKIDMORE, CHICAGO, IL
CONCRETE COMPOSITION 3, 2017, 24 X 30 X 1.5, ACRYLIC ON CANVAS, IN THE COLLECTION OF EILEEN JACOBSEN, LONG ISLAND, NY
CONCRETE COMPOSITION 2, 2017, 24"H X 30"W X 1.5" , ACRYLIC PAINT, GESSO, MATTE MEDIUM ON GALLERY WRAP CANVAS, $900, IN THE COLLECTION OF DREW ARONICA, CHARLOTTE, NC
RECONFIGURED STRIPES (DIPTYCH), 2017, 11 X 28 X 1.5, ACRYLIC ON CANVAS, $600, IN THE COLLECTION OF KEVIN SMITH, ALEXANDRIA, VA
SIGNALS NUMBER THREE, 2017, 24 X 30 X 1.5, ACRYLIC ON CANVAS, $1000
SMACK DAB IN THE MIDDLE, 2016, 19 1/2 X 25 1/2 X 1 1/4 INCHES (FRAMED), ACRYLIC ON CANVAS , $700
PLASTIC DREAMS, 2016, 12 X 12 X 1.5, ACRYLIC ON CANVAS, $400
WALKING INTO SUNSHINE, 2016, 12 X 12 X 1.5, ACRYLIC ON CANVAS, $400
SUPREMEMATIST COMPOSITION (HOMAGE TO MALEVICH), 2016, 28 X 22 X 0.4 INCHES, COLLAGE ON PAPER, IN THE COLLECTION OF LISA ROSE, BERKELEY, CA
FOLDING COLORS, 2016, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF ROB TAULER, LOS ANGELES, CA
KALEIDOSCOPE (PRISM), 2016, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS , $800
THE EMBRACE, 2016, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF MATT HAWKSWORTH, NY, NY
COMPOSITION IN BLACK, WHITE AND RED, 2016, 28 X 22 X 0.4 INCHES, COLLAGE ON PAPER, IN THE COLLECTION OF NOEL JOHNSTON, RIVERSIDE, CA
SIGNALS NUMBER TWO, 2015, 24 X 30 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF DONALD SOLOW, PITTSBURGH, PA
SIGNALS NUMBER ONE, 2015, DIPTYCH, 24 X 36 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF JENNIFER ANDREWS, ENGLEWOOD, CO
THE CROSSES, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, $200
BUBBLE GUM, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF SEAN CHRISTOPHER WARD, WICHITA, KS
THE CONVERSATION, 2015, 20 X 16 X 0.8 INCHES, ACRYLIC ON CANVAS, $300
WHO'S AFRAID OF RED, YELLOW AND BLUE, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, $200, IN THE COLLECTION OF LEE SIDER, FT LAUDERDALE, FL
STRIPES NUMBER ONE, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, IN THE COLLECTION OF SEAN CHRISTOPHER WARD, WICHITA, KS
MOVEMENT IN WHITE AND BLACK, 2015, 12 X 12 X 0.8 INCHES, ACRYLIC ON CANVAS, $200
ABSTRACT SYMPHONY. 2015, 28 X 22 X 0.4 INCHES, ACRYLIC AND COLLAGE ON PAPER, IN THE COLLECTION OF RACHEL DALTON, DUBLIN, IRELAND
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